D-Styles, aka Dave Cuasito, was born on July 6, 1972 in the Philippines and raised in the Bay Area of California. He came across "scratching" in 1984 on his dad's home stereo. Armed with his first Radio Shack-brand mixer and one turntable, D-Styles was motivated by such music as Malcolm McClaren's "Buffalo Gals," Herbie Hancock's "Rockit," and Run-DMC's album Raising Hell.

By age 15, D-Styles was mixing at parties and school dances. "That was during a time when there were a lot of gangs and it kept me away from all the trouble I could've got into," explains D-Styles. "It made me focus more on music and making music rather than getting in trouble and going to jail. Plus it was all about good music in general. It wasn't about one specific type of music; there were no walls to separate the music. You could play any type of music and the crowds appreciated it."

At this time existed a Bay Area tradition where mobile DJ's battled each other through impressive sound systems and light shows. Along with his own mobile DJ crew named Sound City Productions, D-Styles began battling other DJ crews in 1987.

"Back then at my first battle, no one was really scratching," says D-Styles. "I'd be the only one scratching and juggling, and I remember people walking away. The crowds were more impressed by the quick mixing."

Eventually, D-Styles' friends and fellow members of the Sound City crew would become involved in gangs causing the mobile group to disband. Still dedicated to music, D-Styles soon entered solo competitions with the hopes of one day entering the DMC championships. Between 1988 and 1993, D-Styles continued to enter local and state DJ battles and competitions, never actually winning a major competition. Incidentally, it was during these years that he met and battled other DJ's such as Qbert, Shortkut, Quest, Disk, 8-Ball and Rectangle. By 1993, D-Styles also met DJ Rhettmatic of the World Famous Beat Junkies, and along with DJ Shortkut, became a proud member of the Southern California-based crew. As to the Beat Junkies, D-Styles notes, "We were all true friends to begin with who had DJing and music in common." Despite his growing network of friends, it was also during this time that D-Styles first imposed the self-isolation that would become a trademark of his personality.

"In 1993, I remember watching myself on videotape and feeling disgusted with myself as far as originality was concerned," recalls D-Styles. "I sounded like a cross between Qbert and Mix Master Mike and everyone else who was popular at the time. I was catering to the crowd and for the judges, and I didn't have my own style."

Determined to find his own musical style, D-Styles stopped entering battles altogether. "I went back to the blackboard and decided to find myself," says D-Styles. "Like how a snake sheds its skin, I wanted to shed the effects of my influences because it was so clear who I was trying to imitate."

This period of self-imposed seclusion found D-Styles concentrating more on music composition and production. With two break records already under his belt (1990 and 1991 collaborations with Bay Area DJ Gee Swift), D-Styles began honing his production skills through the use of samplers and drum machines. "I wanted to make my own beats and scratch over my own music," he explains. The beats D-Styles generated in his home studio led to collaborations with numerous local emcees, notably Jihad of Third Sight. Recalls D-Styles, "I made beats for them; scratched for them." Nine years after first joining Third Sight, D-Styles continues to record and collaborate with the hip-hop trio.

In 1996, Qbert and Yogafrog asked D-Styles to join the group Invisibl Skratch Piklz (ISP). "I was excited," recalls D-Styles. "It was an outlet for me to share my music. I felt that by having my music heard through the Skratch Piklz, I could share my music in a non-competitive environment."

The Skratch Piklz, revered around the world by scratch fans young and old, were featured on countless magazine covers and garnered long-standing endorsements with Shure Needles and the Japan-based company Vestax, maker of turntables and mixers.

Between 1997 and 2001, D-Styles toured with ISP and performed in various countries around the world. He describes his time with the group as having broadened his mind to the potential of scratch music. "After joining ISP, I took scratching more seriously," explains D-Styles. "Instead of battling, now the competition was with each other. Q, Mike and Short were so into the music and ahead of the time, that it forced me to keep up and advance myself." One obvious result of that advancement was "Razorblade Alcohol Slide," D-Styles' contribution to Qbert's Wave Twisters album. The all-scratch song was composed in 1998 and its infectious violin hook made it an instant favorite with Wave Twisters fans.

During his four years with the scratch band, D-Styles released 7 break records (Sqratch Fetishes of the Third Kind, Black Market Snuff Breaks, Needle Thrashers #4, Gag-Ball Breaks, Heavy Petting Breaks, STD Breaks, Bitch Slapped Breaks), 3 scratch tapes (2 with DJ Qbert, 1 with DJ A-Trak), and 1 scratch CD titled Pharaohs of Funk with DJ Flare. D-Styles also appeared in numerous DJ videos as well as Qbert's animated movie, Wave Twisters.

By September of 2001, D-Styles decided to part ways with what was left of the now-defunct Invisibl Skratch Piklz and return to his original crew the World Famous Beat Junkies. "Although I was not widely known as being a 'Beat Junkie' we have always remained good friends from day one," explains D-Styles. Optimistic about his future with the popular and multi-talented DJ group, D-Styles relocated to Southern California in 2002.

On Halloween 2002, Beat Junkie Sound released D-Styles' most acclaimed work to date: the highly anticipated solo album Phantazmagorea, a collection of songs composed entirely from scratching. "The missing element of scratching is that people aren't performing their songs live," says D-Styles. "And that's where I want to take it." Frequently described as a man of few words, D-Styles has proven that he is indeed a man of his word. At the Phantazmagorea Release Party, the much-publicized "D-Styles Sextet" (composed of D-Styles along with fellow Beat Junkies Melo-D, Babu, J-Rocc, Rhettmatic and Shortkut) performed live renditions of D-Styles' songs, set to visual imagery resulting in one of the most unique and unforgettable scratch shows to date. Future live performances of this historical Phantazmagorea audio-visual show are currently being planned.

A turntable band featuring D-Styles will begin a west coast tour of the U.S. in April 2003. You can also catch D-Styles and the Beat Junkies on their European/U.K. tour that begins in May.

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